Final week, Joseph McGinty Nichol’s YA adaptation “Uglies” discovered its option to No. 1 on the Prime 10 U.S. Netflix movies charts regardless of being critically panned and ridiculed on social media. The movie’s recognition may need been resulting from curiosity about its premise; it takes place in a post-war dystopia that forces a particular, homogenous thought of magnificence upon its populace. This isn’t a shock, as Netflix charts have typically underlined the recognition of baffling titles, however we’ve got already moved on from the Joey King-starring YA thriller to an animated comedy movie a few sassy tabby cat.
Sure, Mark Dindal’s “The Garfield Film,” whereby Chris Pratt voices the titular orange feline, is at present on the prime of the U.S. Netflix movie charts, having dethroned “Uglies” in the intervening time (by way of FlixPatrol). The supremely entertaining “Insurgent Ridge,” together with the just lately launched “His Three Daughters” (which boasts a trio of good performances) are at present occupying third and fourth place on the record, regardless of being objectively higher movies.
Jim Davis’ “Garfield” cartoon wants no introduction; the newspaper staple’s timeless nature and numerous attraction speaks for itself. Nonetheless, the brilliance of those comedian strips has nothing to do with convoluted plots, as their premise is fairly easy: the sarcastic, sedentary Garfield doesn’t contemplate Jon his proprietor and could be very a lot the ruler of his home kingdom. Likewise, Jon’s canine Odie is commonly the goal of Garfield’s pranks, and the titular orange cat stays unapologetic in his indulgences, which embody making enjoyable of Jon, complaining about Mondays, and, in fact, snacking on lasagna. Whereas “The Garfield Film” nudges our adorably snarky tabby cat in direction of an journey, it’s predictable to a fault and is finally devoid of any actual coronary heart.
The Garfield Film doesn’t stick with its strengths
The next comprises minor spoilers for “The Garfield Film.”
“The Garfield Film” really begins out on a near-perfect word, with Garfield relishing his pampered life-style, whereby proprietor Jon (Nicolas Hoult) and beagle bestie Odie (Harvey Guillén) preserve him firm. We get a backstory about how Garfield ended up turning into Jon’s pet (albeit solely in concept), and this phase feels appropriately enjoyable and nostalgic, encapsulating all the things that the comics gained recognition for. Nonetheless, hassle brews when Garfield and Odie are kidnapped by a Shar Pei breed and whippet, solely to be rescued shortly after by Garfield’s estranged father Vic (Samuel L. Jackson), with whom the orange tabby shares a contentious relationship.
Though the Garfield franchise is for all ages, “The Garfield Film” is particularly focused towards youngsters, which explains its heavy emphasis on embracing “cuteness” and a model of comedy that’s palatable for that exact demographic. Nonetheless, youngsters deserve well-thought-out animated narratives with significant themes and stakes, and “The Garfield Film” doesn’t try and have any of those. As a substitute, we’re subjected to a slew of distasteful product placements, which really feel extra egregious with time, because the story — irrespective of how heartfelt or candy it may appear in flashes — feels secondary to the notion of the movie being crafted as a vibrant money seize.
You’ll be able to chalk up the fast success of “The Garfield Film” on Netflix to nostalgia and/or individuals who skipped seeing in theaters lastly streaming it at dwelling. However whereas it is an expertise that doesn’t provide something authentic, it is also merely generic and inoffensive at worst, and can seemingly attraction finest to a youthful viewers who has a fondness for the lasagna-loving cat and his memorable shenanigans.
“The Garfield Film” is at present streaming on Netflix.